Download key generator for Spectrasonics Trilogy

The real power of Trilogy lies within its layering concept. Beyond
the core library hundreds of incredible new Basses, every patch in
Trilogy has two layers that you can tweak individually. You can also
immediately mix and match any of the layers in the core library
together, and edit each one independently. Imagine the power of
combining the sound of a real Minimoog� with a Fretless bass, or a
Access Virus� with a TB-303�, or even adding a Juno�
sub-oscillator to an Upright Bass! There are thousands of earthshaking
combinations, and you'll never run out of options.
Let's look at each of the three sections of Trilogy in detail, since
each one has some innovative features:
ACOUSTIC BASS
The highly detailed Acoustic Upright Bass is one of the highlights
of this instrument. Because of Trilogy's unique interface, you can get
a wide variety of gorgeous tones from this Bass. This is made possible
because the interface has separate control of the Neumann� U-47 Tube
Microphone signal and the Direct Pickup signal, which was sampled
through a vintage Neve� 1083 Console. This stunning sounding
acoustic is chromatically sampled, with multi-dynamic velocity
switching. The hardest velocity in every Bass patch in Trilogy brings
in real bass glisses, similar in concept to the idea Spectrasonics
pioneered on the Hans Zimmer Guitar libraries. An acoustic Martin�
Dreadnought Bass Guitar is also available in the Acoustic section
-perfect for those "unplugged" sessions!
Trilogy's innovative True Staccato� technique lets you play
repeated notes on the Acoustic and Electric basses in real-time with a
whole new level of realistic phrasing, and finally allows for repeated
notes that sound completely natural like a bass player, and not like
the dreaded "machine gun" sampler effect!
ELECTRIC BASS
The huge selection of Electric Basses are from all new,
painstakingly recorded sessions, and features classic 4, 5 and 6
string models, performed in Fingered, Picked, Muted, Rock & Roll,
Slapping, Ballad, Fretless and R&B techniques through rare,
custom-made tube preamps. Special variations are presented including
Harmonics, Glisses, Fuzz, Trills, FX and thousands of Slides! Both
Modern and Vintage "Old School" Electrics are available, providing a
wide array of tones for different musical settings. All the patches
are mapped the same way, so that one sequence will work with any bass
you select.
There are thousands of samples used in these instruments, mapped
with multiple dynamics for amazing expression. You don't have to
"assemble" Bass parts with Trilogy, it's extremely playable as a
highly expressive real-time instrument too!
To complete the picture, every Acoustic and Electric Bass in Trilogy
has a special "Finger Noise" release layer with release triggering,
that gives these basses amazing realism -perfectly simulating the
fretboard response of the real bass. When a note is released, the
Finger Noise layer triggers an appropriate noise sample from among
hundreds of tiny fret noises, subtle string scrapes, squeeks, x-notes,
taps and mutes, which add a user controllable "human" imperfection
element to your performance. You can also easily control how much of
this effect you want, since the noise effect is on its own layer that
can be controlled from the Trilogy Mixer.
SYNTH BASS
Trilogy is one of the most awesome Bass Synthesizers ever made!
Have you ever struggled with trying to fit your synth bass sounds to
sit in a track properly? The sound of Trilogy is not only ultra-fat,
but it sits great in a mix. That's because we've created
high-resolution core samples from legendary Analog Bass Synths like
the Minimoog�, Roland Juno 60�, Roland TB-303�, Roland
SH-101�, Oberheim� SEM, Moog Taurus�, OSCar�, Access Virus�,
Yamaha CS-80�, Arp Odyssey� and 2600�, Studio Electronics
SE-1�, Omega� and ATC� Tone Chameleon, Sequential Circuits Pro
One�, the mighty Moog Voyager� and many others! Trilogy's
multimode resonant filters allow you total control over the sound,
while still retaining the original character and power of the classic
analog instruments.
Each fully programmable layer has its own multimode resonant
filters, four LFOs, three envelopes, adjustable sample start and
matrix modulation. There's also an additional master filter for quick
tone shaping.
In addition to gigabytes of high-resolution sampled vintage synth
waveforms, and thick multimode resonant filters for each layer,
Trilogy has the rare feature of smooth analog synth-style Legato
triggering and Glide that software samplers lack. This capability
allows for Synth Bass sounds that truely play like a vintage analog
synth. This feature can also be used with any of the Electric or
Acoustic Basses, for unique hybrid Bass sounds that you've never heard
before!
Whether you're looking to anchor your mixes with a giant vault of
amazing Bass presets, or you're searching for a versatile instrument
to create your own unique Bass sounds?there's no other Bass instrument
out there with the tone, variety and flexibility of Trilogy -it's
simply in a class by itself.
TRIPLE THE FAT!
* World's only dedicated Acoustic, Electric and Synth Bass
instrument
* Earthshaking, Cone-blowing, Subsonic sound
* Massive 3 gig core library
* All NEW Sounds developed by award-winning sound designer Eric
Persing.
* Hundreds of brand new Electric, Acoustic and Synth Basses, each
with dual layers.
* Mix and Match layers for thousands of dynamic combinations
* Highly-detailed, multi-velocity multisample articulations for
ultimate expression.
* Innovative 'True Staccato' sample-mapping, for natural sounding
repeated notes.
* Finger Noise release layer for ultimate realism
* Analog synth-style Legato triggering with Glide
* Easy to use built-in patch management system
* Fully programmable
* Multimode resonant filters for each layer, plus master filters
* Three envelopes per layer for Pitch, Filter and Amplitude
* Matrix-style modulation routing, four LFOs
* Total recall with your sequence
* Powered by custom 32 bit UVI engine
* Cross platform plug-in compatibility!
* System recommendations:
512 MB RAM, 3.1 GB free hard disc space
MAC: OS 9 or higher, 250 mHz G3 or
better CPU, MAS, RTAS or VST 2.0 host
PC: Windows 98 or higher, 300 mHz Pentium or
better CPU, sound card, VST 2.0 host or Pro Tools 6.1 or higher